If it had simply suggested that François Boucher and Flora Yukhnovich are united in creating tasteful house decoration for the rich, the exhibition would be a success.
However, the development of the icon never stopped and later icons and holy pictures were painted for new churches, where you could find traces of Baroque and Rococo art, classicism and Art Nouveau.
The question is what more the Met can do going forward. A show at the Grey Art Museum re-establishes Berthe Weill as a guiding light of the Parisian avant-garde. Her rediscovery has been led by women.
Green Blood & Epigram. At his best, Tucci can stand in a rococo drawing room and, with an epigram, nail a passing character to the wall at 40 paces. A plebeian German archaeologist who wants to ...