In an excerpt from his new book “Paris in Ruins,” critic Sebastian Smee breaks down the charged, extravagantly expressive portraits between the painters Berthe Morisot and Édouard Manet.
In this art, typically, black is not used in the artist’s palette. And yet, there is an aspect to Impressionism that is dark, and that darkness is the preoccupation of this book. Prussian troops ...