In observance of the upcoming holidays, the DGA offices will close at 2:00 p.m. on Tuesday, December 24 at 2:00 pm and will ...

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Director Matthew Celli details how a typical studio broadcast from the Olympics is achieved.

Kleiser speaks about his preference to allow time to think about his edits when working with an editor during post-production.

Kleiser talks about his rehearsal process when preparing a scene to film and how that changes when shooting virtual reality.

DeJesus speaks about joining the DGA and how participating in the Director’s Development Initiative led to being hired on the television show Bunk’d.

Brought to you by The Directors Guild of America, The Director's Cut brings you the behind-the-scenes stories of today's most talked about films. Each episode features a new director interviewed by ...

Joseph P. Reidy discusses his breadth of experience in 45 years as a First Assistant Director, how he adapts his role depending on the Director, and what it was like filming the famous Copacabana ...

Francesca Bellini-De Simone was attracted to working in the entertainment industry by early Debbie Reynolds movies. As a background dancer, Bellini-De Simone worked on the feature film Carousel which ...

Composer Stephen James Taylor reveals Townsend’s hidden operatic talent which manifested when working with him on Diary of a Single Mom.

Los Angeles – The Directors Guild of America (DGA) announced today the recipients of two special DGA Awards, recognizing exemplary service to the Guild and for extraordinary career achievements. The ...