We can extend up to a 13th in this way by progressively adding in the non-chord tones of a scale – in theory, at least. In ...
And all of the chords have a dominant 7 quality or implied tonality. So the basic underlying progression is F7 - D7 - G7 - C7. Figure 1 shows a rhythm part based on this progression: I begin with ...
The dominant seventh of a V chord can be shown by the symbol V7. For example, G7 is made by taking the major triad of G (G - B - D) and adding an F (G - B - D - F). A cadence is formed by two ...
The dominant seventh of a V chord can be shown by the symbol V7. For example, G7 is made by taking the major triad of G (G - B - D) and adding an F (G - B - D - F). A cadence is formed by two ...