The front (obverse) of this coin portrays the emperor Julian, facing left. The curve of a shield and the outline of a spear are visible at the lower left. On the back (reverse), an as-yet untranslated ...

“For me, painting the crosses was a way of painting the country,” recalled Georgia O’Keeffe about the series of compositions featuring Catholic crosses that she created upon visiting the Southwest in ...

The Art Institute offers almost a million square feet to explore. Use the museum floor plan to help navigate a course for your visit. Planning your visit? Download our Visitor Guide (in English or ...

Pan-Africanism, first named and theorized around 1900, is commonly regarded as an umbrella term for political movements that have advanced the call for both individual self-determination and global ...

The Art Institute’s wide-ranging collection is a testament to thousands of years of human creativity and artistic expression—from ancient Chinese bronzes to contemporary art and from tapestries to ...

A lone peasant girl pauses her work to listen to a lark singing in the distance. Her emotional response to this moment of natural beauty is accentuated by the glow of the sun rising behind her, ...

“One instant, one aspect of nature contains it all,” said Claude Monet, referring to his late masterpieces, the water landscapes that he produced at his home in Giverny between 1897 and his death in ...

Step back in time and immerse yourself in the spiritual, domestic, and chivalric worlds of the Middle Ages and Renaissance. This spring, the Art Institute unveils the new Deering Family Galleries of ...

Find us on the first floor of the museum’s Modern Wing. Turn left after you enter at 159 East Monroe. The Patrick G. and Shirley W. Ryan Learning Center (RLC) is the museum’s hub for learning and ...

The ancient Mediterranean, and Greece in particular, was home to a great variety of artistic communities. Over 3,000 years ago, these makers used natural resources like stone, clay, and metals to ...

Ellsworth Kelly explored the fundamentals of color, line, and form, yet the basis of his abstraction always lay in his observations of natural and built environments. Train Landscape, which Kelly made ...